Concerts

Performing at the Heartland Events Center at 7:30 pm

Tickets on sale March 20th at the Heartland Events Center Office and all Ticketmaster locations.

First 1000 tickets are $25 plus fees!

 


7:30pm • Friday • July 12, 2019 ~ Josh Turner

Josh Turner

7:30 p.m. • Friday  • July 12, 2019

With his rich, deep voice and distinctive style, MCA Nashville recording artist Josh Turner is one of country music’s most recognizable hit-makers. From his 2003 Platinum-selling debut Long Black Train to his 2017 Billboard No. 1 release, Deep South, Turner has scored multiple GRAMMY®, CMA and ACM Awards nominations and received six Inspirational Country Music Awards. As one of the youngest members inducted into the Grand Ole Opry, Turner has sold more than 8 million units, topped more than 1.5 billion in global streaming and populated radio with such memorable hits as “Hometown Girl,” “Would You Go With Me,” “Your Man,” “Time Is Love,” “Why Don’t We Just Dance” and “Long Black Train.”

With his newest project, I Serve A Savior, which debuted at No. 1 atop the Nielsen’s Country Albums chart and No. 2 on Billboard’s Top Christian Albums Chart, Turner adds an exciting new dimension to his already acclaimed career.  I Serve A Savior is a thoughtful gospel collection that finds Turner’s rich, distinctive baritone paired with timeless classics including “Amazing Grace,” “How Great Thou Art” and “Great Is Your Faithfulness,” as well as introducing originals including the title track, “I Serve A Savior,” and “The River (of Happiness),” written by his wife, Jennifer, and their eldest son, Hampton. In addition to the 12-track studio project, Turner has released a complementing 90-minute live performance DVD featuring a special interview of Turner with gospel legend Bill Gaither, a performance with Turner alongside his wife Jennifer and their four sons, and more. The DVD has been edited to air as a one-hour television special hosted by Bill Gaither, which will air on numerous networks across the U.S. and Canada.

Turner is a disciple of traditional country music, a mentor to up-and-coming artists, and one of the youngest members of the Grand Ole Opry.  Turner has been an Opry member for over 10 years and he recently reveled in his 150th performance on the famed Opry circle.

Turner checked off another bucket list item when he added author to his list of accomplishments.  His first book, Man Stuff: Thoughts on Faith, Family and Fatherhood was released in 2014.  As highlighted in the book, the Hannah, S.C. native has been songwriting and performing since he was a young child, and in support of music education, created The Josh Turner Scholarship Fund to assist students interested in pursuing a future in arts and music.  As a high school student, Turner had very little access to music education, therefore realizes first-hand the importance of arts education in schools.

For more information on Josh Turner, visit www.JoshTurner.com.

7:30 p.m. • Saturday • July 13, 2019 ~ The Four Tops

The Four Tops

7:30 p.m. • Saturday  • July 13, 2019

The quartet, originally called the Four Aims, made their first single for Chess in 1956, and spent seven years on the road and in nightclubs, singing pop, blues, Broadway, but mostly jazz—four-part harmony jazz. When Motown’s Berry Gordy Jr. found out they had hustled a national “Tonight Show” appearance, he signed them without an audition to be the marquee act for the company’s Workshop Jazz label. That proved short-lived, and Stubbs’ powerhouse baritone lead and the exquisite harmonies of Fakir, Benson, and Payton started making one smash after another with the writing-producing trio Holland-Dozier-Holland.

Their first Motown hit, “Baby I Need Your Loving” in 1964, made them stars and their sixties track record on the label is indispensable to any retrospective of the decade. Their songs, soulful and bittersweet, were across-the-board successes. “I Can’t Help Myself (Sugar Pie, Honey Bunch),” a no. 1 R&B and Pop smash in 1965, is one of Motown’s longest-running chart toppers; it was quickly followed by a longtime favorite, “It’s The Same Old Song” (no. 2 R&B/no. 5 pop). Their commercial peak was highlighted by a romantic trilogy: the no. 1 “Reach Out I’ll Be There,” “Standing In The Shadows Of Love” (no. 2 R&B/no. 6 pop) and “Bernadette” (no. 3 R&B/no. 4 pop)—an extraordinary run of instant H-D-H classics. Other Tops hits from the decade included “Ask The Lonely,” “Shake Me, Wake Me (When It’s Over),” “Something About You,” “You Keep Running Away,” “7-Rooms Of Gloom” and their covers of “Walk Away Renee” and “If I Were A Carpenter.” The group was also extraordinarily popular in the U.K.

After H-D-H split from Motown, producer Frank Wilson supervised the R&B Top 10 hits “It’s All In The Game” and “Still Water (Love)” at the start of the seventies. The Tops also teamed with Motown’s top girl group, the Supremes, post-Diana Ross. Billing themselves The Magnificent Seven for a series of albums, they hit with a cover of “River Deep – Mountain High.”

When Motown left Detroit in 1972 to move to Los Angeles, the steadfast Tops decided to stay at home, and with another label. They kept up a string of hits with ABC-Dunhill for the next few years: “Ain’t No Woman (Like The One I’ve Got),” a Top 5 hit; the Top 10 “Keeper Of The Castle”; and the R&B Top 10’s “Are You Man Enough (from the movie Shaft In Africa),” “Sweet Understanding Love,” “One Chain Don’t Make No Prison” (later covered by Santana), “Midnight Flower” and the disco perennial “Catfish.”

In 1980 the group moved to Casablanca Records. The following year they were at no. 1 again, with “When She Was My Girl,” making them one of the few groups to have hits in three consecutive decades. They also scored R&B Top 40s with the ballads “Tonight I’m Gonna Love You All Over” and “I Believe In You And Me,” the original version of the 1996 Whitney Houston smash. And the Tops were heard in the film Grease 2 with “Back To School Again.” By 1983, riding the wave of the company’s 25th anniversary celebration, the Tops were back with Motown and H-D-H. The reunion resulted in the R&B Top 40 hits “I Just Can’t Walk Away” and “Sexy Ways.”

They signed with Arista later in the decade, and there they racked up their final solo Top 40 hit, “Indestructible,” which was the theme of the 1988 Summer Olympics. That year they also partnered with Aretha Franklin, a longtime friend from Detroit, for the Top 40 R&B “If Ever A Love There Was.” During this period, Stubbs stepped out and gained notoriety for voicing the man-eating plant Audrey II in the film musical Little Shop Of Horrors, for which he sang the cult classic “Mean Green Mother From Outer Space.”

In 1990, with 24 Top 40 pop hits to their credit, the Four Tops were inducted into the Rock & Roll Hall Of Fame. Though they would no longer have hits on record, the group continued to be a hit in concert, touring incessantly, a towering testament to the enduring legacy of the Motown Sound they helped shape and define. Following Payton’s death in 1997, the group briefly worked as a trio until Theo Peoples, a former Temptation, was recruited to restore the group to a quartet. When Stubbs subsequently grew ill, Peoples became the lead singer and former Motown artist-producer Ronnie McNeir was enlisted to fill Payton’s spot. In 2005, when Benson died, Payton’s son Roquel replaced him.

For Rolling Stone’s 2004 article “The Immortals – The Greatest Artists Of All Time,” Smokey Robinson remembered: “They were the best in my neighborhood in Detroit when I was growing up (and) the Four Tops will always be one of the biggest and the best groups ever. Their music is forever.”